Storytelling
Crafting a great plot is no easy feat. You need compelling stakes, a likable main character, an urgent problem, and so much more. Fortunately, we have a lot of advice on Mythcreants about how to build just such a plot. But once you have your … read more »
When we start creating stories from concepts, it’s usually best to work on whatever grabs us. That way we can focus on shaping our inspiration into a strong plot structure that centers our darlings. If this process isn’t familiar to you, I have an article … read more »
In my capacity as a content editor, I read a lot of manuscripts.* While storytelling problems are infinitely myriad and complex, I’ve noticed a handful that pop up over and over again. These issues sometimes even make it to publication, but they’re especially common in new … read more »
In my current concept, I have a “steampunk” world that is centered around class-based slave labor, in which “modern” ideologies about freedom either never happened (history splits about 1600-1700 AD) or are severely suppressed by the established powers. As an “extreme” amateur, I do not … read more »
Dear YA novelists of all shapes and sizes: there is an infestation spreading through the ranks of our beloved genre. Distorted by centuries* of grotesque overexposure and abhorrent inescapability, these clichés have wormed their way into even the best-intentioned novels. Watch out! They may be … read more »
The opening scene is one of the most crucial in your novel. It has to engage readers while introducing the most important aspects of the story. I know that’s a lot, so let’s go over the five big things you need for a good opening … read more »
Hey! So my question is how often a writer should utilize mystery and enigma in stories. In Star Wars, there was a huge fiasco when in the prequels they explained the nature of the Force, as many fans would have preferred it had been left … read more »
Character relationships are, in many ways, the glue that holds a story together. Almost every tale has at least one relationship at the heart of it, often more. Rarely can a character sustain a story on their own; they need others: friends, family, mentors, lovers, … read more »
Your article on how to bring swords to a gunfight was very interesting, and I’m dealing with a (somewhat) similar idea except that it involves characters. The plot’s picking up speed. Things are getting serious. Your protagonist is in over their head. They don’t know … read more »
Improving your work is a process fraught with conflicting feedback and emotional resistance. However, understanding some important principles can help you put the problems you encounter into perspective. Here’s five concepts that are useful for accepting feedback and making your stories better. Read more »
