Storytelling

317 – Plot and Character Are Not Enemies

The Mythcreant Podcast

Plot and character, the eternal enemies. Everyone knows that if your story has a plot, it means your characters are one-dimensional clichés, and if you have deep characters, it means your plot is non-existent. Will these two wild kids ever reconcile? Yes, they will, because … read more »

Five Common Story Fragmentations and How to Consolidate Them

A cord unraveling, with a ruler for scale.

In an ideal world, every story would function as a unified whole, with each aspect working together for maximum engagement. In the real world, many stories suffer from fragmentation: disparate elements pulling the story in opposing directions, leaving the audience bored rather than engaged. Fortunately, this … read more »

315 – Flat Characters

The Mythcreant Podcast

We’ve all called a character flat before, usually when we didn’t like them. “Ugh, this villain is only doing evil for evil’s sake, how flat!” But what is a flat character, really? Where did the term come from, and is it always bad? Today, we’re … read more »

Five Ways to Make a Selfish Character Likable

Eleanor from the good place grabbing alcohol off a grocery store shelf

Character likability is generally created through three characteristics: sympathy, novelty, and selflessness. For a main character, I recommend aiming for at least two out of three, so not every protagonist needs to be selfless. However, selfish behavior counts against a character and can make audiences … read more »

Six Ways to Make Fantasy Travel More Interesting

As a reader and writer of fantasy, I’ve found the travel aspect can be… tedious. Either it’s pages and pages of scenery with characters walking, walking, walking, or it’s one quick scene where nothing happens. If your story includes travel, try these tips for making … read more »

How to Get Readers to Feel Those Emotional Twists

Zuko sick in bed from Avatar: The Last Airbender

Nothing evokes emotion by default. Every bit of triumph or heartache has to be built up by the storyteller. So if you’re wondering why your big emotional scenes aren’t emotional to your audience, it could be because you’ve invested too little in the elements that … read more »

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