Storytelling
Plot and character, the eternal enemies. Everyone knows that if your story has a plot, it means your characters are one-dimensional clichés, and if you have deep characters, it means your plot is non-existent. Will these two wild kids ever reconcile? Yes, they will, because … read more »
In an ideal world, every story would function as a unified whole, with each aspect working together for maximum engagement. In the real world, many stories suffer from fragmentation: disparate elements pulling the story in opposing directions, leaving the audience bored rather than engaged. Fortunately, this … read more »
The oppressed mages trope is a personal bugbear of mine, as longtime readers of this site can no doubt attest. The trope is incredibly popular, even though it makes no sense. As with most popular things that don’t make sense, people come up with all … read more »
Originally published in a 1970 fanzine, The Eye of Argon by Jim Theis is known as the worst story ever written. The Eye of Argon readings are a favorite at conventions, where readers compete to read the story without laughing. Since it’s already been torn … read more »
We’ve all called a character flat before, usually when we didn’t like them. “Ugh, this villain is only doing evil for evil’s sake, how flat!” But what is a flat character, really? Where did the term come from, and is it always bad? Today, we’re … read more »
The monster villain of my story uses music to hypnotize and kill victims. My protagonist is deaf and loves music, but he’s immune to the hypnotic tune because he can’t hear it. How do I depict this respectfully? – Anon Read more »
Character likability is generally created through three characteristics: sympathy, novelty, and selflessness. For a main character, I recommend aiming for at least two out of three, so not every protagonist needs to be selfless. However, selfish behavior counts against a character and can make audiences … read more »
As a reader and writer of fantasy, I’ve found the travel aspect can be… tedious. Either it’s pages and pages of scenery with characters walking, walking, walking, or it’s one quick scene where nothing happens. If your story includes travel, try these tips for making … read more »
Nothing evokes emotion by default. Every bit of triumph or heartache has to be built up by the storyteller. So if you’re wondering why your big emotional scenes aren’t emotional to your audience, it could be because you’ve invested too little in the elements that … read more »
My characters love interest is kind of a jerk but I don’t want this relationship to be toxic. Should he repent for his behavior, or should I change his character? What should I do? – Shelly Crumb Read more »