Storytelling
Dear Mythcreants, After getting frustrated by media stereotyping and belittling of female anger, I’m currently creating a female protagonist with anger as a deep motivating factor. Her arc centers on learning to harness her anger positively. The emphasis is very much on the management part … read more »
Storytelling has rules, and the best way to tell good stories is to learn those rules so you can apply them to your own work. At least, that’s what we’d say if we were total squares who wanted to crush storytellers’ beautiful free spirits! Sure, … read more »
When designing a romance, the first choice you’ll need to make is who the love interest is. That choice will heavily influence what makes the romance appealing, the type of chemistry between the love interest and protagonist, and what obstacles the romance might have to … read more »
I’ve noticed in fiction that shy characters tend to be written badly and much differently from how they are in real life. Many shy characters are passive in plots because they lack the enthusiasm and drive that extroverted characters have. They tend to be slow … read more »
Character thoughts, huh, what are they good for? A whole lot, it turns out. But they can also be used poorly, and then they’re worth absolutely nothing. This week, we do a deep dive on how to narrate what’s going on inside the protagonist’s head. … read more »
Over the years, we’ve received many questions about how to plot multiple books. The answer is surprisingly simple: story structure is the same no matter the scale. However, reader expectations about story continuity do change a little when the story is broken into different books, … read more »
I had a question about the Magical Cure trope. My main character (14yo girl) lost her left arm about six months before the novel begins. Then, at summer camp, she’s chosen to participate in a secret magical contest between the fairy courts. She makes a … read more »
You’ve done the work of adding sword fights, epic battles, and dramatic arguments. Your characters always have something they want, no matter how minor the scene. And yet, you’re still having difficulty making readers care. Congratulations, you’re having difficulty making your conflicts matter, and you’re … read more »
You’ve added lots of conflict to your story, but readers are still telling you it’s boring. What gives? Unfortunately, a number of different things can cause this problem. To help you troubleshoot, let’s go over some common reasons that tension might be missing. Read more »
Look, redemption arcs are great fun, but what happens when a character does something bad and doesn’t ever redeem themself? That’s a downward arc, and it’s one of the hardest tropes to pull off successfully. That’s why it’s the subject of today’s episode. We discuss … read more »
