Worldbuilding
A few weeks ago we talked about how space opera has held up in the face of advancing technology and a changing culture. This week we’re giving cyberpunk the same treatment. Because cyberpunk is almost always near future, it’s particularly vulnerable to the passage of … read more »
Fantasy can transport us to worlds where ancient gods walk the land and magic flows through the air. Or it can transport us to grim and gritty worlds where basic survival is a struggle and everything is covered in mud. Either way, a fantasy world should sweep the audience away. Read more »
This podcast goes great with breakfast, or even second breakfast, because we’re talking about fantasy races. We cover everything from Tolkien to more Tolkien to even a few things that aren’t Tolkien. But first, why are they called “races” and not “species”? Second, how do … read more »
Years back, I wrote some rules for using fake words. Some people grumbled that it banned writers from using conlangs (constructed languages) altogether, and that’s not far from the truth. The bottom line is that your conlang won’t give your audience the same joy it … read more »
Historical fantasy is all about the freedom of fantasy and the unique atmosphere only a past era can provide. Works like Maplecroft and Shades of Milk and Honey let us reimagine history with a fantastical bent. But combining the real with the surreal can be … read more »
The empire is a staple of fantasy fiction, and it’s not hard to see why. Much of human history has been shaped by empires, so authors have a lot of fodder for inspiration. But empires, evil or otherwise, are extremely complex. If you’re planning to … read more »
We all know these stories: “We don’t know how to destroy the ancient evil that arrived to our land! Thankfully, once upon a time there was a great nation with more powerful and efficient technomagic. They had flying cities and huge laser weapons, but somehow … read more »
Worldbuilding is the act of creating context for the actions your characters take. Not every book needs to invest heavily in worldbuilding – no one asked about the geopolitical situation in the Very Hungry Caterpillar – but as your story gets more complex, your audience will … read more »
A magic system is rational if it follows a consistent set of metaphysical laws. This consistency prevents plot holes, reduces the need for foreshadowing, and makes magic feel less contrived. Unfortunately, some magic systems are easier to rationalize than others. Read more »
Building the history of your setting is a tricky business. It’s something even great authors struggle with, from Rowling to Tolkien. So it’s no surprise that Adrienne asked us this question: How do you create interesting histories for fictional worlds, whether they be fantasy or … read more »
