Writing
You asked me to critique The Name of the Wind by Patrick Rothfuss, so here we are. What will win: this award-winning, best-selling, critically acclaimed book, or my dislike of practically everything? Read on to see! While I usually record my first reactions to a … read more »
An author’s voice is generally considered to be important; sometimes it’s even said to be the most important element of writing. But what is voice, exactly? Is it really that important? Does it change from book to book, and how is it different from character … read more »
Beta reading is a critical part of the writing process. It’s a preview of how real-life human beings will respond to your work, something every author should get before their book hits primetime. And yet, I keep seeing authors mishandle the beta reading process. Over … read more »
Hello! I love this site and really appreciate the depth of thought you put into the articles here and how you approach difficult topics. I was hoping for a little help with introducing a physical description of a character. I am aware of the clichés … read more »
Readers have a lot to learn during an opening, and somehow they have to learn it while being entertained. Doing that takes a careful, piecemeal approach. However, all the information readers need is often interconnected, making it difficult to figure out where to start explaining … read more »
I’ve heard many people describe their progression as a writer, and I’ve been surprised not by how different these stories are, but how similar. That doesn’t mean everyone goes through these specific steps or does it in exactly this order, just that these growth experiences … read more »
Many writers hope to create the immersive experiences they watch on a screen. Ironically, delivering the most immersive experience in writing depends on learning techniques that don’t exist in film. The narrative style writers need for this is close perspective. Read more »
A hand with all of the fingers the same length. Eye whites that aren’t white. Seeing a stranger in the mirror. A subtler cousin of horror, the uncanny is more about discomfort than fear. Sigmund Freud* described it as, in greatly paraphrased form here, making … read more »
Stories need conflict, and when that conflict comes in the form of physical violence, it’s time for a fight scene. A well-written fight – whether it’s a fist-to-fist boxing match or a squadron of ace pilots clashing in the stratosphere – can be the highlight of … read more »
In many stories, we have male heroes who go on their adventures and while they travel have several sexual encounters, loveless sex, and being generally free when it comes to sexuality. I think it can be used well and serve the characterization, but the problem … read more »
