Plot

Storytelling

Constructing a Compelling Romance

Anna and Kristoff from Disney's Frozen

When done well, romance not only makes stories feel deeper and more meaningful but also gives the audience another reason to turn the page. Unfortunately, it’s easy to jump into writing a romance without thinking it through. And if the romance isn’t setup well, it … read more »

Analysis

Six Stories That Covered Up Major Plot Holes

Even highly successful stories aren’t immune to plot holes. In Star Wars, Leia realizes the Millennium Falcon is bugged but doesn’t do anything about it. In Harry Potter, the Ministry knows what spells are cast in Harry’s house but can’t locate him when he goes … read more »

Analysis

Six Novels With Weak Throughlines

The Gentleman and Norrell from Jonathan Strange and Mr. Norrell

A throughline is a story’s core, the problem that’s introduced at the beginning and resolved at the end. It is the single most important element of a story. When you tell someone what a story is “about,” you’re usually describing the throughline. Read more »

Writing

Crafting Micro Stories

Micro stories are not only great fun, but excellent practice for writers. Creating micro stories forces you to tighten your prose – an essential skill for any kind of writing. Naturally, these tiny narratives come with challenges of their own. Let’s look at this unique … read more »

Storytelling

Six Common Problems With Long Series

We love long series here at Mythcreants. Sometimes it takes more than one novel or season of TV to properly tell a story. There’s nothing like the feeling of satisfaction when an epic saga comes to its thrilling conclusion. Plus, the longer the series, the … read more »

Podcast

131 – Throughlines

The Mythcreant Podcast

A throughline is the story’s core, the problem that opens in the beginning and concludes in the climax. Throughlines are essential for compelling stories, but many authors still struggle with them, so that’s what we’re talking about this week. We discuss why stories should open … read more »

Analysis

Five Stories Afraid of Their Own Premise

Every story has a premise that shapes what will happen. Some premises are good, like “a neglected orphan goes to a secret school for wizards.” Some premises are bad, like “a teenager gets into an abusive relationship with a vampire.” But no matter if the … read more »

Storytelling

Depicting Internal Conflicts

External conflicts are obvious to the audience and easy for storytellers to conceptualize. The hero either defeats the villain or they get beat; they either convince the jury or they are thrown in jail. But while these conflicts are usually the first thing that new storytellers reach … read more »

Storytelling

The Big Problem With Uncertain Endings

Basic story structure includes a problem at the beginning and a resolution to that problem at the end. But to make their work stand out, some storytellers reject the resolution. The romance ends without the audience knowing if the lovers will be together; the adventure ends with an undecided battle … read more »

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